ICXN

# Description

From the moment we’re born, we’re met with a knot. The tying of the umbilical cord delineates us from our mother as the first act of separation. We carry this knot with us for the rest of our lives, hidden from view—a reminder of our biological origins and our staunch independence.

Knots permeate our lives and our social fabric. We use them to describe our relationships, our social duties and emotional availability, from “tying the knot” to “getting tangled up” to “letting loose.” Inherent to the Knot is the power to bring things together and the power to isolate. 

Functionally, a knot is a substance whose shape both restricts it unto itself and enables it to link up with others. The string or cord thus achieves newfound utility, but only by losing its total freedom. This tension between ability and utility, reliance and freedom, form and function, is at the core of the enigmatic Knot. 

For, what keeps a knot from unraveling, but itself? A knot can’t be set free without losing its shape—its identity. Like us, they hold *themselves* together, bound by overlapping contradictions and codependencies. Our identities are inextricably intertwined with our inner knots: tied up, tied down, let loose, unwound.

Here, each knot represents the intertwinedness of our life with others, and at the same time, the complexity of our own self and the conflicts of its many parts. Within us are the defining counterpoints that hold us together, that challenge us to grow and find and defend our voice.


# Process

Every knot is physically-plausible, made with at least one continuous cord woven under, over, under and over again. They’re styled with a hyper-minimalist palette, texture and perceptual cues to create visual breathing space for the simple linework that defines the humble knot. 

Procedurally, a knot begins with two connected loops 🔗. For a random number of times, two neighboring edges are crossed 🧬, yielding a new **crossing** each time. The choice of edges is determined by the **construction method**, which can favor creating more twists or more links. Once the network is built, the number of **loops** can be inferred ⭕⭕, as well as its **symmetry**: 🌱2-fold, ☘ 3-fold, 🍀4-fold, or sometimes more. 

An initial layout of its nodes and edges is generated, seeding a physics engine that tightens and flattens the knot, treating it like an elastic ribbon 🎀. Two identical knots, after being flattened, may look different. These “sibling” knots have the same structure 🌝, but are seen from different views 🌛🌜. Sibling knots can be identified as having the same **isomorphic key**. Two knots can also look similar, but have a different **handedness** 🫲🫱. 

The knot is visualized with a consistent cord thickness. The largest loop is the primary cord. It’s always black and sometimes **multi-threaded** ▥. Other cords are always colorful 🌈, drawing from the **secondary** and **tertiary colors**. 🪢

(Bolded words refer to features).


# Notes

When seeking out sibling knots, be careful! Isomorphic keys are hashes of the 3D knot network and can collide on rare occasions. Therefore, two sibling knots will share the same isomorphic key, but two knots with the same isomorphic key may not be sibling knots.

This project is intended to be run on modern devices, operating systems and browsers. Older ones may yield undesired or undefined behaviors.

tied up, tied down, let loose, unwound

Art Blocks Studio is a self-publishing platform designed to empower preeminent generative artists by facilitating the direct release of their collections. The Studio allows artists to manage their own releases and provides them with autonomy in both creation and distribution.

Art Blocks Studio

Coral reefs, renowned for their breathtaking beauty, play a vital role as habitats for a diverse array of marine life. However, in recent years, these ecosystems are increasingly threatened by coral bleaching, a phenomenon exacerbated by global warming. Bleaching occurs when corals lose the algae living in their tissues, leading to a whitened state that can ultimately result in the demise of the reef structure itself.This piece employs generative art, a form created through computer algorithms, to visually interrogate the majestic beauty of coral reefs and the environmental challenges they face. The artwork juxtaposes the vibrant colors of healthy corals against the stark whiteness of bleached corals, mirroring the current state of real-world reefs. This contrast not only highlights the aesthetic beauty of the corals but also underscores the urgency of the environmental issues they face. By viewing "Coral Colours," spectators are invited to confront the ongoing reality of coral bleaching and to spark an awareness of environmental issues. A portion of the proceeds from this work supports the research at the Okinawa Institute of Science and Technology (OIST), where significant efforts are dedicated to the study and protection of coral reefs and marine life.

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