I feel like an imposter. Pseudo-anonymous as ippsketch while maintaining an engineering career and family life. I live on the edge of two worlds, immersed in self-doubt. Leaning into each space, I bring a part of each world with me, but wonder if what I bring is enough. I question my identity while learning to embrace it. Art, after all, is made by ordinary people. And I wonder, does anyone really know what they're doing?

Imposter Syndrome is an expression of my seeming dual existence and my feelings of not being enough in many aspects of life. But I do not mean for this to be entirely prescriptive to the work and often see other interpretations and meanings myself, such as anytime I straddle the edge of something new, when I'm on the fence and making a decision between two directions of my life, or if I consider the shadow or light I cast in the spaces and people around me. These pieces move me differently from day-to-day.

This work leans into minimalism. As trends in generative art push toward the visually complex and highly technical, I find my current focus on simple composition and compelling structure. I'm also drawn to broken symmetry, which echos my dual artist/engineer life and is also what I consider to be a visual representation of generative art - design and order on the one hand, random variation within constraint on the other.

Color palettes echo those used in Bent. Simple and bold colors with stark black and white support. Pieces are rendered in a default poster size (3:4), but are also adaptive to screen size so that they can fit any display. The work can be interacted with by pressing the number keys 1, 2, 3, 4 to see the steps of construction.