I feel like an imposter. Pseudo-anonymous as *ippsketch* while maintaining an engineering career and family life. I live on the edge of two worlds, immersed in self-doubt. Leaning into each space, I bring a part of each world with me, but wonder if what I bring is enough. I question my identity while learning to embrace it. Art, after all, is made by ordinary people. And I wonder, does anyone really know what they're doing?

*Imposter Syndrome* is an expression of my seeming dual existence and my feelings of not being enough in many aspects of life. But I do not mean for this to be entirely prescriptive to the work and often see other interpretations and meanings myself, such as anytime I straddle the edge of something new, when I'm on the fence and making a decision between two directions of my life, or if I consider the shadow or light I cast in the spaces and people around me. These pieces move me differently from day-to-day.

This work leans into minimalism. As trends in generative art push toward the visually complex and highly technical, I find my current focus on simple composition and compelling structure. I'm also drawn to broken symmetry, which echos my dual artist/engineer life and is also what I consider to be a visual representation of generative art - design and order on the one hand, random variation within constraint on the other.

Color palettes echo those used in *Bent*. Simple and bold colors with stark black and white support. Pieces are rendered in a default poster size (3:4), but are also adaptive to screen size so that they can fit any display. The work can be interacted with by pressing the number keys 1, 2, 3, 4 to see the steps of construction.

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Imposter Syndrome #50

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