When thinking about community, we could observe the differences and things in common. There is a purpose for us to be together. It influences our behavior, identities, and choices. The diversity of shapes, colors, and combinations in this work is the metaphor for how we are connected and how these connections influence a complex web, which is represented here in this form that resembles a beehive. Bees have an enormous sense of community, a behavior essential for their survival. In this work, a single feature can radically alter the perception of form as a whole. The work contains eight possible shapes: random, stars, hexagons, triangles, arrows, trapezoids, diamonds, and flags. These shapes can be arranged following a random flow, rotating, or pointing to the center. Moreover, they can vary in size, spacing, and color. The color palettes correspond to edition groups. As a generative artwork, beauty arises from a mixture of all diversity. Charity: 25% of initial sales were donated to Lanchonete<>Lanchonete lanchonetelanchonete.com - promoting greater justice and social well-being for children and family members living nearby Providência, first Favela in Brazil.

In Bokeh, Michael Kozlowski unites algorithmic artistry with refined physical craftsmanship, creating sculptures, lighting, and digital works that explore the interplay of light, form, and the complexity of perception. 

At the heart of the Bokeh collection lie three hundred unique digital artworks, generated by the base algorithm that informs every physical piece. Collectors will have the rare opportunity to acquire one of thirty exclusive wall sculptures, each a tangible expression of its digital counterpart. These sculptures, sold after the digital auction on a first-come, first-served basis, embody the connection between the digital and the material, merging code and craft.

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